The German-Austrian composer Brigitta Muntendorf has internalised referentiality as a compositional principle in her music (music to kin) and creates a multi-layered mesh work of analogue-digital forms of expression in…
Ann Cleare is an Irish artist working in concert music, opera, expanded sonic environments and hybrid instrument design. Described as “a very different art form that draws on, but also…
Gordon Kampe ©Michael Aust “The famous figure of Malvolio is at the centre of the pocket opera. Fool, comedian and at the same time tragically deceived – this enduring ambivalence…
Sara Glojnaric “Shakespeare’s works seem to outlive generations because they are extraordinarily adaptable and human. They describe the archetype of human behaviour that has not changed since they were written,…
Gerald Resch ©Anna Stöcher I want my music to be clear, concise and surprising. It develops organically from clear constellations. I like superimpositions, ramifications and changes of perspective. Because I…
©ricordi.com Sarah Nemtsov’s music is often characterised by the engagement with literature. She constantly deals with the threshold between concert and music theatre. A swearing Lady Anne? And how!…
Wen Liu has a sense for the microstructure of sounds and the ability to tie that into larger formal contexts. She combines instrumental and vocal gestures to create an individual…
“Pression” is a piece for cellists who are ready to start all over again. Their instrumental skills, all their virtuosity and mastery of classical romantic modern literature are of no…
The sound artist Stephan Winkler and the word artist Max Goldt are connected by an artistic and personal friendship. The creations of the two also flow into one another in…
Gerhard E. Winkler is a composer, but also a philosopher, psychologist, and musicologist. This multi-perspective approach is clearly audible in his work. Not to forget his early cultivated engagement with…